Conference Schedule
For a PDF of the complete conference program click here
May 24, 2023
9h30 - 10h
Coffee and Introductions
10h-12h
Session I: The Feedback Works
“Feedback Works”
Jo Hutton (London, UK)
“Melancholy and Mourning in the Feedback Works”
Michelle Mackenzie (University of California San Diego, USA)
“An Experimental Performance of Éliane Radigue’s Early Feedback Works”
Juan Parra Cancino (Orpheus Institute, Ghent, Belgium)
12h - 13h
Lunch Break
13h - 15h
Session II: OCCAM Ocean Presentations
“Inside the Éliane Radigue Composer-Performer Circle”
Cat Hope (Monash University, Melbourne, Australia)
"From Rhythm to Shape: An Etymological Reflection"
A conversation between Dafne Vicente-Sandoval (Paris, France)
and Charles Curtis (University of California San Diego, USA)
“Universal Composition: Éliane Radigue’s OCCAM series through the lens of disability”
Megan Steinberg (Royal Northern College of Music, Manchester, UK)
15h - 15h30
Break
15h30 - 17h30
Session III: Radiguian Explorations
“Reconnections: Éliane Radigue & modular synthesizer”
Neil O Connor (University of Limerick, Ireland)
“Radiguian Explorations”
A conversation between François J. Bonnet (INA-GRM, Paris, France)
and William Dougherty (Philadelphia, USA)
“A Recorded Diaristic Documentation of Process and Investigation Guided by Radigue’s Writings, Recordings, and Life”
Rosie K (Sarah Lawrence College, USA)
May 25, 2023
9h30 - 10h
Coffee and Introductions
10h - 12h
Session I: Program, Poetics, and Rupture
“Jetsun Mila (1986) from Program to Form”
Mikhail Malt (IRCAM, Paris)
Tatiana Catanzaro (Stanford University, USA)
“Posthuman Musical Poetics in Éliane Radigue’s L’île re-sonante”
Matthew Arndt (University of Iowa, USA)
“Historicization and Rupture: the inner and outer logics of Éliane Radigue’s music”
Douglas Osmun (University of California San Diego, USA)
12h - 13h
Lunch Break
13h - 15h
Session II: OCCAM Ocean Presentations
“Between Transmission and Shared Process: Occam Ocean II with the students of HKB Bern”
Deborah Walker (Berlin, Germany)
“You Have to Work, but You Have to Work ‘Cool’: An analysis of
Quatuor Bozzini’s learning process and later performances of Radigue’s OCCAM
Delta XV”
Emanuelle Majeau-Bettez (McGill University, Canada)
Panel Discussion – Occam Ocean Performers Panel
Charles Curtis (University of California San Diego, USA)
Louis-Michel Marion (Nancy, France)
Hélène Breschand (Paris, France)
Moderated by Luke Nickel (Berlin, Germany)
15h - 15h30
Break
15h30 - 17h30
Session III: Listening to Radigue
“Éliane Radigue and the ‘infinite present’: Reflections on listening experiences and formal evolution in Radigue’s works”
Nicolas Debade (INA GRM, Paris)
“Listening as Space – Éliane Radigue’s compositional approaches to a new listening to of electronic music”
Katja Heldt (Lund University, Sweden)
“Beyond the Audible: Éliane Radigue’s OCCAM works and inter/listening”
Louise Gray (University of the Arts London, UK)